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Being alone is scarier than any boogey man and the reason why I do not choose to see Horror movies as a rule.
You go back to those films of the 40s and 50s and hear the dialogue, the way the people played off each other - the wordplay. I think we've really lost that in movies.
I go off and make movies I come home, and I am a dad and I hang with my girls.
The financial implode is bound to be reflected in the movies that are being made, there is no question.
A huge part of acting in movies is appetite. You do your best work when you've got a lot of appetite and you really want to embrace something. When you get tired, you do not have that hunger.
Obviously, I am attracted to heavier movies.
I want to be in movies that stand the test of time.
Ultimately, to have a career in movies, to a certain extent, certainly in England, you can not sustain a career in just English movies.
A lot of times you get credit for stuff in your movies you did not intend to be there.
In the Rodgers and Hammerstein generation, popular hits came out of shows and movies.
You are creating new things in movies and people are going to steal them.
When you are making movies you've got to get obsessive.
I guess you could say I have been in my share of violent movies.
I was sick and tired of being an English actor who did a lot of American movies because I was cheap and good.
I always wanted to make movies.
If I wanted to make spy movies for the rest of my life, that would be one thing, but I do not want to just make spy movies.
Some people think literature is high culture and that it should only have a small readership. I do not think so... I have to compete with popular culture, including TV, magazines, movies and video games.
It is the contemporary woman that movies do not know what to do with, other than bathe her in a bridal glow in romantic comedies where both the romance and the comedy are artificial sweeteners.
People talk about mumblecore but I prefer bumblecore, hyper-realistic bee movies about how bees really are.
I have a great job writing for The Office, but, really, all television writers do is dream of one day writing movies. I will put it this way: At the Oscars the most famous person in the room is, like, Angelina Jolie. At the Emmys the huge exciting celebrity is Bethenny Frankel. You get what I mean.