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Architecture Does not come from theory. You do not think your way through a building.

Does an architecture to assuage the spirit have a place?

The new architecture of transparency and lightness comes from Japan and Europe.

The way of architecture is the quiet voice that underlies it and has guided it from the beginning.

Vitality is radiated from exceptional art and architecture.

We are stymied by regulations, limited choice and the threat of litigation. Neither consultants nor industry itself provide research which takes architecture forward.

To work in architecture you are so much involved with society, with politics, with bureaucrats. It is a very complicated process to do large projects. You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works.

If architecture is frozen music then music must be liquid architecture.

To create architecture is to put in order. Put what in order? Function and objects.

I probably spent the first 20 years of my life wanting to be as American as possible. Through my 20s, and into my 30s, I began to become aware of how so much of my art and architecture has a decidedly Eastern character.

I left science, then I went into art, but I approach things very analytically. I choose to pursue both art and architecture as completely separate fields rather than merging them.

The process I go through in the art and the architecture, I actually want it to be almost childlike. Sometimes I think it is magical.

In art or architecture your project is only done when you say it is done. If you want to rip it apart at the eleventh hour and start all over again, you never finish. I was one of those crazy creatures.

I loved logic, math, computer programming. I loved systems and logic approaches. And so I just figured architecture is this perfect combination.

Art is very tricky because it is what you do for yourself. It is much harder for me to make those works than the monuments or the architecture.

In my early 20s I was so miserable doing construction, I wanted something that paid money. I liked nice stuff. I liked cars and architecture, and things that cost money. I wanted to not swing a hammer, and make money... and not do stuff that was dirty. I attempted to get into comedy. I started to do stand-up, but I was not very good at it.

I am drawn to furniture design as complete architecture on a minor scale.

The British political system and the whole clapped out Westminster architecture, and the language that we use about politics, it is completely unsustainable. You either decide to be part of that transition to do something different. Or you cling to old certainties.

I got into this little habit of architecture and building. I designed a house in Colorado and one in Hawaii. The idea is supposed to be build and sell - but then I can never bring myself to sell them.

The only job that was ever of interest to me other than filmmaking is architecture.