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At this present time, matter is still the best way to think of architecture, but I am not so sure for very long. The computer is radicalizing the way we think about our world.

If you are into architecture and you are from the West, everything is hors d'oeuvres for working to rebuild the Temple. Ultimately you are led there. You can not escape it.

You can just drift unhappily towards this vision of heaven on earth, and ultimately that is what architecture is a vision of: Heaven on earth, at it is best.

The intellectual architecture means focusing on doing great work instead of focusing on agency politics.

The team architecture means setting up an organization that helps people produce that great work in teams.

One of my favorite vacation places is Miami, because of the people, the water and the beach - of course - and the architecture on Miami Beach is so wonderful.

I would fix other people's lines if they asked me on occasion. The hard part of writing is the architecture of it, getting the story and structuring it. Not the tweaking of lines.

But those musics do not address the larger kind of architecture in time that classical music does, whatever each one of us knows that classical music must mean.

I quit college. I was studying architecture for about a year.

It is not with architecture that one can disseminate any political ideology.

Architecture will always express the technical and social progress of the country in which it is carried out. If we wish to give it the human content that it lacks, we must participate in the political struggle.

Architecture is my work, and I have spent my whole life at a drawing board, but life is more important than architecture. What matters is to improve human beings.

Architecture is invention.

When I write now I do not invent situation, characters, or actions, but rather structures and discursive forms, textual groupings which are combined according to secret affinities among themselves, as in architecture or the plastic arts.

The organizational architecture is really that a centipede walks on hundred legs and one or two do not count. So if I lose one or two legs, the process will go on, the organization will go on, the growth will go on.

Does it follow that the house has nothing in common with art and is architecture not to be included in the arts? Only a very small part of architecture belongs to art: the tomb and the monument. Everything else that fulfils a function is to be excluded from the domain of art.

Architecture is involved with the world, but at the same time it has a certain autonomy. This autonomy cannot be explained in terms of traditional logic because the most interesting parts of the work are non-verbal. They operate within the terms of the work, like any art.

I am often called an old-fashioned modernist. But the modernists had the absurd idea that architecture could heal the world. That is impossible. And today nobody expects architects to have these grand visions any more.

The aesthetic of architecture has to be rooted in a broader idea about human activities like walking, relaxing and communicating. Architecture thinks about how these activities can be given added value.

You might say that when you step inside, you are entering a honorific space, but that is something totally different than experiencing it. And in architecture the experience comes first. That has the deepest effect on us.